Thesis Structure for Analyzing Martin Crimp's Plays through Butler's Lens

Please write the structure of a thesis based on this abstract: This thesis aims to examine selected plays by Martin Crimp, namely Attempts on Her Life (1997), The Treatment (1993), and The City (2008), through the lens of Judith Butler’s deconstructive and feminist theoretical framework. By applying Butler’s key concepts such as Gender Performativity, Interpellation, Parody, and Gender Subversive Acts to these plays, the researcher seeks to unveil Crimp’s efforts in challenging fixed gender identities and exposing their unnatural, constructed, and performative nature. Moreover, the research illuminates the pedagogy of resistance against categorization and structuring demands, focusing on how female characters in Crimp’s plays strive to liberate themselves from their suppressed identities and subject positions. Crimp’s works demonstrate a relentless struggle against stereotypical female identity, highlighting contemporary women’s challenges while endeavoring to free themselves.

Based on the provided abstract, here is a suggested structure for the thesis:

Title Page

• Title of the Thesis
• Author's Name
• Institution
• Degree Program
• Date of Submission

Acknowledgments

• A section to thank those who contributed to the research and writing process.

Abstract

• A brief summary of the thesis, including the main objectives, methodology, and findings.

Table of Contents

• A detailed outline of the chapters and sections of the thesis.

Chapter 1: Introduction

• 1.1 Background and Context
  • Overview of Martin Crimp’s works and their significance in contemporary theatre.
• 1.2 Research Objectives
  • Statement of the aims and objectives of the thesis.
• 1.3 Theoretical Framework
  • Introduction to Judith Butler’s theories, including Gender Performativity, Interpellation, Parody, and Gender Subversive Acts.
• 1.4 Methodology
  • Explanation of the research methods used to analyze the selected plays.
• 1.5 Structure of the Thesis
  • Brief overview of each chapter.

Chapter 2: Theoretical Framework

• 2.1 Judith Butler’s Gender Theory
  • Detailed exploration of Butler’s key concepts relevant to the analysis.
• 2.2 Deconstruction and Feminism
  • Discussion of how Butler’s theories intersect with deconstructive and feminist thought.
• 2.3 Relevance to Contemporary Theatre
  • Examination of the importance of Butler’s theories in the context of modern plays.

Chapter 3: Analysis of "Attempts on Her Life"

• 3.1 Overview of the Play
  • Summary and context of the play.
• 3.2 Gender Performativity in the Play
  • Analysis of how characters perform gender roles.
• 3.3 Interpellation and Identity
  • Examination of how characters are interpellated and resist categorization.
• 3.4 Subversion and Parody
  • Discussion of moments of parody and subversive acts within the play.

Chapter 4: Analysis of "The Treatment"

• 4.1 Overview of the Play
  • Summary and context of the play.
• 4.2 Gender Dynamics and Power Structures
  • Analysis of gender relations and power dynamics.
• 4.3 Resistance to Stereotypes
  • Exploration of how characters challenge stereotypical identities.
• 4.4 The Role of the Audience
  • Discussion of how audience perception is influenced by the play’s structure.

Chapter 5: Analysis of "The City"

• 5.1 Overview of the Play
  • Summary and context of the play.
• 5.2 Constructed Identities and Reality
  • Examination of the constructed nature of identities in the play.
• 5.3 Female Agency and Liberation
  • Analysis of female characters’ struggles for agency and self-definition.
• 5.4 Contemporary Relevance
  • Discussion of the play’s commentary on contemporary societal issues.

Chapter 6: Comparative Analysis

• 6.1 Common Themes Across the Plays
  • Identification of recurring themes related to gender and identity.
• 6.2 Differences in Approach and Style
  • Comparison of Crimp’s techniques and narrative styles in the selected plays.
• 6.3 The Evolution of Gender Representation
  • Discussion of how Crimp’s portrayal of gender evolves across the plays.

Chapter 7: Conclusion

• 7.1 Summary of Findings
  • Recap of the main findings from the analyses.
• 7.2 Implications for Feminist Theatre
  • Discussion of the implications of the research for feminist theory and theatre studies.
• 7.3 Future Research Directions
  • Suggestions for further research on Crimp’s works or related topics.

References

• A comprehensive list of all sources cited in the thesis.

Appendices

• Any additional material, such as play scripts, interview transcripts, or supplementary data.

This structure provides a comprehensive framework for exploring the themes and theories outlined in the abstract while allowing for in-depth analysis of each of Crimp's selected plays.